Oslo’s Nationaltheatret (simply translated to English as National Theatre) first opened its doors more than a century ago in 1899, and has since come to not only reflect, but actively shape cultural identity in Norway. Having staged everything from more traditional Norwegian dramas from the likes of Henrik Ibsen to experimental contemporary works, the building itself is also a marriage
The post OlssønBarbieri rewrites the rulebook on ‘formality’ in its melodrama-infused Theaterbaren identity appeared first on BP&O – Branding, Packaging and Opinion.
